34 Free Artworks of 1854 Bronzes

samuel putnam avery collectionetchings by charles meryon in the new york public librarymetropolitan museum of artmeryon (delteil 095)meryon (delteil 101)seth eastmanjames barton longacredepartment of american decorative arts, metropolitan museum of artduncan ingrahamromanticism,neoclassicism
Casting of Bavaria (ore foundry in Neuhausen), Wilhelm von Kaulbach, 1854
wilhelm von kaulbachbavaria statue
Horses of Peter Clodt, Peter Clodt Von Jürgensburg
sculptures in the national arts museum of the republic of belaruspeter clodt von jürgensburg
Pandora medal 1854
sculptures of pandoraneoclassicism
Andromède, Joseph Félon, 1854
joseph félonromanticism
SIR JAMES GEORGE FRAZER (1854-1941), Antoine Bourdelle, 1922
musée ingres-bourdelle - sir james george frazer - bronze - antoine bourdellefebruary 2020 in tarn-et-garonne
Medal to Captain Duncan N. Ingraham, Seth Eastman, 1854
james barton longacreseth eastman
Medal to Captain Duncan N. Ingraham, James B. Longacre, 1854
james barton longacreseth eastman
Pope Benedict XV (1854–1922), Auguste Rodin
sculptures of heads by auguste rodinmodern art,symbolism
Miłosz Kotarbiński, Miłosz Kotarbiński, 1935
1944 deaths1854 births
Ewer, designed by Jules-Pierre-Michel Dieterl, Sèvres Porcelain Factory, 1854, hard-paste porcelain and gilt bronze - Wadsworth Atheneum - Hartford, CT - DSC05532, Jules Diéterle
sèvres porcelain in the wadsworth atheneumjules diéterle
1889 Wilhelm Geissler Ölgemälde Eine Zigarette, Berlin
wilhelm geissler (maler, 1848)1889 paintings
Apothéose de Napoléon Ier d'après Ingres, PPM727(3), Jean Auguste Dominique Ingres, En 1854
romanticism,neoclassicismmedals by eugène oudiné
Apothéose de Napoléon Ier d'après Ingres, PPM727(4), Jean Auguste Dominique Ingres, En 1854
romanticism,neoclassicismmedals by eugène oudiné
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Petit Prince Dito., 1854
samuel putnam avery collectionprints of horses in the nypl
Address of Rochoux, print dealer., 1854
samuel putnam avery collection
La loi solaire., 1854
samuel putnam avery collection
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: No, Morny is not dead because he is still drinking., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Presentation of Valère Maxime to King Louis XI., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Frontispiece for the catalogue of the work of Thomas de Leu., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Draft stock notes for a pseudo-Franco-Californian company., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The Lunar Law [second plate]., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: No, Morny is not dead because he is still drinking., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Address of Rochoux, print dealer., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The Lunar Law [first plate]., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vers à Eugène Bléry., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
L'Attelage., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vers à Eugène Bléry., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vue de l'île de la Cité et le pont-Neuf avec ses boutique, vers 1840. D.5820
drawings in musée carnavaletparis à travers les âges
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